In this section are copies of original works of art. All of them are dedicated to helping us live according to unconditional love and compassion, which is the foundation of our peaceful means of bringing true and lasting peace to all of God's creatures, whether they are human beings or other animals.
(Artwork -
212)
King Eider (Somateria spectabilis)
The King Eider (Somateria spectabilis) is a favourite subject of mine.
This approximately life-size painting shows two males in full breeding
plumage and a female in front, swimming. While it is listed by the IUCN as a
“species of least concern” of becoming endangered, and currently common, I
fear the King Eider potentially will be at significant risk at some time in
the future. My concern derives from the fact that the species breeds in the
arctic and subarctic, and that is a region undergoing rapid transformation
as a result of global climate change. They normally spend most of their
lives along costal shorelines in the high latitudes of North America and
Eurasia, moving inland to nest in tundra wetlands, which in turn depend on
permafrost for their existence. The arctic permafrost is thawing at alarming
rates, releasing methane, a major greenhouse gas, into the atmosphere.
They are large ducks (a half of a kilogram, or roughly two to three and a
half pounds) hunted for food, in some places in the spring by indigenous
peoples and in the fall, especially off North America’s east coast from
Labrador south to the northeast U.S., as part of the Atlantic Flyway
waterfowl hunt. But that is of minor concern compared to the potential for
food loss from warming waters which may be far less supportive of the bottom
(benthic) feeding invertebrates such as mollusks, crabs, sea urchins, and so
on that are the King Eider’s main winter diet. On their high latitude
breeding grounds, they are risks from loss of sea ice facilitating transport
of oil and other hazardous materials with the inevitable toxic spills, as
well as increased competition from resource extraction industries, such as
fishing.
Female eiders line their nests, scraped into the ground, with their famously
thick “eider down”, plucked from their own bodies, and forming dense, soft
mats that can cover the eggs, of which there are usually from two to seven.
Eggs are clear-coloured, ranging from pale blue to light buff. It takes
about three weeks for eggs to hatch, but once they do the hens troop their
young to nearby water and there they often merge their respective broods.
Mother ducks collectively care for the various broods with little concern
over which ducklings belong to which parent. Males avoid family duties.
Males have a distinctive, brightly coloured knob at the base of the beak,
covering the forehead. The innermost rear flight feathers, called the
tertiaries, have an unusual curved upward point, like a horn.
The painting is in oils on compressed hardboard, 30 X 24 inches in size, and
is approximately life size. I also have included an acrylic painting on
illustration board that I did decades ago, and later sold, of a female with
young, and a painting in watercolours on paper showing a juvenile female
King Eider, not yet old enough to fly.
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Copyright © Barry Kent MacKay
Barry describes himself as a Canadian artist/writer/naturalist.
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