It is time for the Ghosts of Christmas Past and Present to include the ghosts of all those turkeys who were murdered for the meals of “Scrooge.” It is time for all future turkey ghosts to be freed from haunting the table.
Turkey spirit rising from a baked turkey served on a dinner platter -
Beth Clifton Collage, Animals24-7.org
“The question before us is, which images of the universe, of power, of
animals, of ourselves, will we represent in our food?”
– Carol J. Adams, The Sexual Politics of Meat, p. 202
How Will a “Myth of Origin” Be Used?
People look to the mythic past for prototypes in order to propagate some
plan or hope for the present and future, to protect existing traditions and
outlooks, or to advance new practices and prospects from elements within the
myths that have not yet been exploited. This is the true use of the Golden
Age and the Garden of Eden and other myths of origin, including the American
myth of Thanksgiving.
Myths of origin act as informing principles of existence. In this sense they
can promote ethical insight and change, or they can be invoked ironically to
protect the “fallen world” from the infiltration of ethical progress. This
is how they have mainly been used with respect to how we view and treat the
other members of the animal kingdom to which we ourselves belong.
“Traditions” Evolve and Change
How a myth of origin will be used is primarily a matter of desire and will,
or in a word, motivation, because people in reality constantly change their
traditions to conform to whatever else they believe or identify with.
The American Thanksgiving, which is rooted in ancient harvest festival
traditions, has been “recreated” many times over; fabricated, as James W.
Loewen shows in his chapter, “The Truth about the First Thanksgiving” in his
book Lies My Teacher Told Me.
Arguably, says Elizabeth Pleck in Celebrating the Family, vegetarians who
spend hours preparing a tofu turkey or a chestnut casserole from scratch
express the spirit of Thanksgiving more authentically than the turkey
takeout people do, while taking the American tradition of the pioneer to a
new level of adventure and nurture.
Turning Flesh into Fruit
Substitution of new materials for previously used ones to celebrate a
tradition is an integral part of tradition. In the religious realm, if we
can substitute animal flesh for human flesh, and bread and wine for “all
flesh” and the shedding of innocent blood in communion services, and can
view these changes as advances of civilization, not as inferior substitutes
for genuine religious experience, then we are ready to go forward in our
everyday lives on ground that is already laid.
Could the religions of the world ever reach the point of respecting “all
flesh,” not in false ceremonies of compassion, but in actual fact? For if
God can become flesh, then flesh can become fruit.
Technologically, this transformation, this substitution, has already
occurred, People have demanded it, and technology can meet the demand.
If the Peaceable Kingdom is a genuine desire and a practicable prospect,
faux meat is the food to which dead meat has aspired, and the animal-free
meat makers are as deserving as anyone of the Nobel Prize for Peace.
Disgust at the Thought of Meat
In the past, says Mihály Csíkszentmihályi, author of The Evolving Self and
Creativity, “our limbic system learned to produce disgust at the smell of
rotten meat. Now we might be learning to experience disgust at the thought
of eating meat in the first place – thanks to values that are the result of
consciousness.”
The cultural turkey in America is a model figure that allows us to examine
our attitudes and the values they imply, like the values implicit in
creating laughingstocks and innocent victims in order to feel thankful, and
the values of a nation that ritually constitutes itself by consuming an
animal – one, moreover, that it despises and mocks as part of a patriotic
celebration memorializing the wholesome virtues of family life.
In
Turkeys: Sympathy, Sensibility, and Sentience, I draw attention to the moral ecology surrounding the
Thanksgiving turkey, the miasma arising from the traditional holiday meal.
The ritual taunting of the sacrificial bird conducted by the media each year
– what if this mean-spirited foreplay and blood sacrifice were taken away?
What elements of Thanksgiving would remain?
Decomposing Turkey Ghosts
Meatopian Mourning by
Sue Coe
Hunters claim that the killing they do is incidental to their joy of being
in the woods, and turkey eaters claim that the carnage they inflict is
incidental to their appetite for togetherness.
Yet the carnage perpetrated by both is the one thing in the midst of other
changes on which these people stand firm, as if Plymouth Rock amounted in
the final analysis to little more than a pile of meat, just as the symbol of
happiness is portrayed in the final epiphany of Scrooge in Charles Dickens’
A Christmas Carol, published in 1843. There, under the aspect of the Ghost
of Christmas Present, Scrooge mounts a pile of flesh as a foretaste of his
imminent social redemption and return to life’s pleasures:
“Heaped up on the floor, to form a kind of throne, were turkeys, geese, game, poultry, brawn, great joints of meat, suckling-pigs, [and] long wreaths of sausages.”
Scrooge’s first charitable act following his nightmares is to purchase “the prize Turkey” hanging upside down at the butcher shop.
Collage of children with outstretched arms and turkey with wings extended in
the sunset -
Beth Clifton Collage,
Animals24-7.org
Free All Spirits from Inflicted Suffering
It is time for the Ghosts of Christmas Past and Present to include the
ghosts of all those turkeys who were murdered for the meals of “Scrooge.” It
is time for all future turkey ghosts to be freed from haunting the table.
Slowly this pile of avian ghosts may be rotting away. As the present century
proceeds in America, the conflict between vegans and flesh eaters, between
the animal rights people and the rest of society, crystalizes at
Thanksgiving.
As the single most visible animal symbol in America, the de facto symbol of
the nation, the turkey focuses our conflict and marks its progress in a
holiday in which personal values and cultural ideals come together, or
clash, most notably.
References
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