The intent of this book and video review guide is to help us to live according to Kingdom standards which bring Heaven to earth.
I thought I was going to have a hard time reading Gail Eisnitz' book Slaughterhouse, but as soon as I started reading, I was drawn into this "shocking story of greed, neglect, and inhumane treatment inside the U.S. meat industry." Eisnitz really does tell a story. The reader is plunged into a world it is hard to believe exists, unless, like Eisnitz, we choose to enter this terrible place, or we are forced, or feel forced, to be there. The book starts out like a novel or a movie that sets a chill in your heart in the very first scene. You enter the spiritual universe of In Cold Blood and Deliverance. Here we have it: a vulnerable woman in a world of violent men. A savvy woman courting danger, terrified, running for her life, keeping her wits, a smart chick. "Carol Taylor" is a fake name--the undercover identity of "I, Gail Eisnitz," who is boldly sneaking around in Florida chasing down a notorious animal abuser for arrest. Her search leads her to the Slaughterhouse. Years ago, when I first started learning about the things humans do to animals on farms and in laboratories, wondering if I could endure this information, Peter Singer answered my question. In Animal Liberation, he said that if the animals must go through this in reality, the least we can do is to go through it in our minds.
The Ninth Circle of Hell in Slaughterhouse is the kill floor.
Consider a horse who doesn't want to die. "'You can't spend fifteen or
twenty minutes on one horse. You have to do whatever you can to get him in
that box to get him skinned--fast. You can't let one horse stop you from
making money.'"
(Later) "'What about the inspector?' I asked. 'Does he ever see any of
this?'
"'Yes.'
"'How do you know? You've seen him?'
"'We all on the kill floor together,' he said, 'we all watching this.
Sometimes he'd complain about it. But you've got a lot of guys there, new,
unexperienced, and they think it's a game.'"
Pick almost any place in Slaughterhouse, and you've got testimony,
an eyewitness who is soaked in blood reciting the facts, reenacting the
daily ritual. Eisnitz documents alcoholism, anger, misery, murder, fear,
family violence, callousness, sadism, compassion, jail time, prison
sentences--the slaughterhouse milieu including the "good times." One of the
book's benefits is the range of attitudes and self-revelations elicited by
Eisnitz. It reminds me of what a student of mine once said about an essay we
were reading: "The author said that he wasn't commenting, merely stating
facts. However, his facts were full of comments."
For me, the heart of the book is the interview with Ed Van Winkle, a
pig-sticker described by men who have worked with him as "the most ferocious
of the stickers." He says, "'The worst thing, worse than the physical
danger, is the emotional toll. If you work in that stick pit for any period
of time, you develop an attitude that lets you kill things but doesn't let
you care. You may look a hog in the eye that's walking around down in the
blood pit with you and think, God, that really isn't a bad-looking animal.
You may want to pet it. Pigs down on the kill floor have come up and nuzzled
me like a puppy. Two minutes later I had to kill them--beat them to death
with a pipe. I can't care.'"
The book focuses on mammals, rather than on the birds who make up the 95
percent of animals slaughtered for food. (While 35 million cattle are
slaughtered each year in the United States, 35 million chickens are
slaughtered every day.) However, Slaughterhouse does provide a lot of
information about the poultry industry, as in these comments by inspectors
Macias and Carney:
"'Poultry is exempt from coverage under the Humane Slaughter Act, right?' I
asked.
"'Correct,' Carney said. 'It's not humanely slaughtered. Because they're
going into the scald tanks still alive, breathing and sucking in the water.'
"Macias nodded. 'Most of them are still alive when they go into that tank
and they fill their lungs. That's a reason for the high contamination.'
"'The kicker,' Carney said, 'is that when that chicken is exported to
Canada, inspectors have to sign off on an export certificate that says it's
been humanely slaughtered. We have no control over how they're slaughtered.
None whatsoever.'
The point is that "laws" or no laws, mammals and birds alike are tortured to
death and anything goes in this environment. There's a kind of macabre humor
in the way the cast of characters either couldn't care less about, cannot
implement, and often is not even aware of the federal "humane slaughter" law
for livestock. In any case, "violations of the Humane Slaughter Act carry no
penalties at all."
In trying to do justice to Slaughterhouse, I find I can't. There is
too much packed into it and the book's sensibility must be experienced
directly. There is Eisnitz's cancer while she is doing her investigations,
her ordeals with the news media, violent sickness and death from food
poisoning, information about the Clinton Administration, and information
like this: "'Fat- reduced beef isn't meat,' he [a former USDA inspector]
explained. 'It's fatty tissue, the solid part of fat. It's a gray, ugly
mass. It makes you sick to look at it. They form it into patties, color it,
freeze it--if you leave it out too long it will start to smell--and then
they tell you to cook it.'"
Many animals, including their heads, are skinned alive, and rotten chicken
flesh is mixed with other meat and sold for baby food. Also, about a hundred
individuals are ground up in every hamburger.
Slaughterhouse shows the reader what is happening, without telling
us what to do. In a manner akin to the archetype of the Ancient Mariner,
Eisnitz has journeyed through hell, "And now I am telling the world." If,
vicariously, we could "become" these animals, the workers, and Eisnitz
herself, perhaps history would stop repeating itself.
Gail A. Eisnitz is a cruelty investigator for the Humane Farming Association, San Francisco, CA. What started out, with a single complaint about a Florida slaughterhouse turned into a tale of intrigue and suspense as investigator Gail A. Eisnitz unearthed more startling information about the meat and poultry Americans consume. This shocking story follows Eisnitz as she becomes submerged in a slaughterhouse subculture, venturing deeper and deeper into the lives of the workers.
As the stakes become higher in her David-and-Goliath-type battle, this determined young woman finds herself courageously taking on one of America's most powerful industries. Slaughterhouse takes readers on a frightening but true journey from one slaughterhouse to another throughout the country. Along the way we encounter example after example of mistreated animals...intolerable working conditions...lax standards...the slow, painful deaths of children killed as a result of eating contaminated meat...the author's battle with the major television networks...and a dangerously corrupt federal agency that chooses to do nothing rather than risk the wrath of agribusiness...before the whole affair is blown wide open in this powerful expose.
In an effort to understand how such rampant violations could occur right under the noses of U. S. Department of Agriculture (USDA) inspectors - the individuals charged with enforcing humane regulations in slaughterhouses - Eisnitz examines the inspectors' track record for enforcing meat and poultry safety regulations, their primary responsibility. Following a long paper trail, she learns that contaminated meat and poultry are pouring out of federally inspected slaughterhouses and, not surprisingly, deaths from foodborne illness have quadrupled in the United States in the lastfifteen years. Determined to tell the whole story, Eisnitz then examines the physical price paid by employees working in one of America's most dangerous industries. In addition to suffering disfiguring injuries and crippling repetitive motion disorders, employees describe tyrannical working conditions in which grievances are met with severe reprisals or dismissals.
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